Monday, March 23, 2015

A Prisoner Of Pain; It Takes One To Know One.

A Prisoner Of Pain; It Takes One To Know One.

Whenever I thought about my loops around the Globe, I was mainly filled with positive and good memories. However, since I became involved in PT, I have now and then thought that my memories (with the exception of my epilepsy), was a neurotic / unreliable misinterpretation.  My positive memories have, though, never hidden the sad fact that I, through pain-propelled act-outs, certainly made many people (especially I’m thinking of my first two kids) sad and disappointed. In my pre-primal life pattern, I was driven, every 3 - 5 years, to change partners, work, and culture / language in my search for my inner justice. 

I had no absent mother. I was my mother’s favorite until she died, and I was then 56 years old. She killed a lot of her pain with religiosity. She defended me without hesitation at least four critical occasions, when I between 5 and 10 years of age, made pranks. 
My mothers two big blunders; A: She subjected me, at my birth, to a lengthy, horrendous trauma in her ambition to fulfill the Bible’s recommendation to give birth with pain. B: She did not dare to intervene when my father, once, lost his temper and beat me hard, due to a playful misbehavior when I was nine years old. My mothers (contemporary) subservience combined with sheer respect of my father was too strong. I know that her heart was with me, and her passivity disappointed me.

My father, like my mother, was always present physically for me. Early on, I realized that my father carried on painful memories from his childhood. A pandemic, about WW1, when he was 3 - 4 years old, snatched away his mother and a pair of siblings. He became over the years increasingly depressed and on a few occasions, he lost his temper and exploded. On one such occasion, when I was a child, I happened to be the sacrifice for his act-out, which unfortunately eliminated all future emotional relationship between us. He tried to compensate this by helping me out of sticky practical situations (often of a financial nature) during my teens but I asked for it. One month before his death, 30 years too late, he took courage and talked with me. My father asked me if I still hated him for the assault, which he had done to me when I was 9. My answer was, fortunately, no. Within me, it took, however, several more years before the hatred of the assault ebbed.

The above trauma examples caused by my mother and father are dramatic “accidents”. They led to my suffering for decades, which I had never been able to overcome without the guidance of Art and understanding of his innovation the Primal Principle. And last but not least the driving force from the restless pain propelled curiosity of the Prisoner of Pain within myself. 

Often, when I read Art’s descriptions how an imprinted pain propels act-outs, I get the feeling that he avoids positive aspects associated with act-outs. A contradictory feeling emerges when I note that Art’s life has been unjust to him. His long and creative life has led to the development of the Primal Principle. In my case this innovation, based on Art’s unjust life, made it possible to demystify my epilepsy. It also made it possible to obtain redress, from my parents, for my childhood’s two most dramatic trauma, which propelled my neurosis during decades. The evolutionary intelligence makes the individuals’ unconscious pain valuable not only for the human species’ reproduction but also for his / her development.

Can we, as seen from the species’ development, then say that Art’s life was unjust? This unconscious injustice has helped countless patients to a better life. It has propelled the production of books / documentation of the significance of our right to be loved, touched and get attention, from the day of conception, during our critical and most formative years. 

It seems that the Evolution is consciously supporting that it takes one Prisoner of Pain, Art, to know another, for example, me, Jan. Or vice versa.


Jan Johnsson

Replies

  1. Very good letter Jan. art

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